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Milford Bursaries:
Funded places for SF Writers of Colour in September 2024

Thank you to all applicants. If you were not successful this year you are very welcome to apply in November for 2025. We will have a shorter than usual application window (just one month). You'll be able to download the application form at the beginning of October 2024.

Our bursary writers for 2024 are Naomi Eselojor and Plangdi Neple,
both from Nigeria.

Naomi Eselojor NAOMI ESELOJOR is a speculative fiction writer from Nigeria. She is the winner of the 2023 Utopian award for short fiction and the 2024 winner of the Wilson Okereke’s prize for short stories. Her works are in and forthcoming at African Ghost stories anthology by Flame Tree Press, 2022 Best of Utopian Science Fiction Anthology by Android press, Omenana Magazine, Lolwe, Hexagon Magazine, Improbable press, Dark Matter Magazine and elsewhere. Her works have been nominated for the Pushcart prize, Ako Caine prize and the Utopian awards. Naomi lives in Lagos, and will be attending the Milford Writer’s Workshop in 2024.
PLANGDI NEPLE is a Nigerian writer and editor. A lover of the weird and fantastic, he draws inspiration from Nigerian myth, folklore and tradition. His work are in and forthcoming at Omenana, Anathema, Cast of Wonders and FIYAH, as well as other venues. He is also a co-editor at Anathema: Spec from the margins. Find him at @plangdi_neple on Twitter.
Plangdi Neple

"Just do it. Stop hemming and hawing, stop chewing your lip/pen/fingers and apply. If you’re Milford qualified (which means you’ve sold at least one speculative short story or novel), then book your place. If you’re Milford qualified and a writer of colour, apply for the bursary. Do it, do it, do it. It’s a fairly easy process and you have no reason not to. It’s so worth it." - Ramya Jegatheesan

"Sept 2019 I attended the Milford Conference for science fiction writers. It was a real eye-opener and pushed me to explore exciting ways of approaching my speculative fiction. I credit a big part of this short-listing to those 5 intense but exhilarating days. Thank you Milford, and to the African Speculative Fiction Society for nominating 'Shelter' for the 2022 NOMMO Awards." - Mbozi T Haimbe

Our Bursary Writers 2017 to present day

  • 2024 Naomi Eselojor, Nigeria
  • 2024 Plangdi Neple, Nigeria
  • 2023 Akotowaa Ofori, Ghana
  • 2023 Neon Yang, UK
  • 2022 Somto Iheuze, Nigeria
  • 2022 Ramya Jegatheesan, UK
  • 2021 Georgina Kamsika, UK
  • 2021 Charlotte Forfieh, UK
  • 2019 Russell Smith, UK
  • 2019 Mbozi T Haimbe UK
  • 2018 Nisi Shawl, USA
  • 2018 Rochita Loenen Ruiz, Netherlands
  • 2017 Dolly Garland, UK
  • 2017 Suyi Davies Okungbowa, Nigeria

Bursary writersCharlotte, Georgina and Dolly, 2021

Due to the generosity of the committee of the 2012 and 2018 Eastercons, Dr Anthony Francis, supportive writer donors, and a bequest from the late Terie Garrison, Milford SF Writers' Conference is offering a bursary for one or two self-identifying science fiction/fantasy writers of colour (BAME) to attend the September 2024 Milford SF Writers' Conference in the UK. The location is Gladstone's Library, Hawarden, North Wales (on the English/Welsh border near to Chester).Self-identifying BAME writers from all over the world (far and near) are invited to apply as long as they write in English and are 'Milford qualified' (i.e at least one SF story sale). Scroll down for quotes from our previous bursary recipients.Each bursary will cover the cost of the conference fee and accommodation (bed, breakfast and evening meal) Luinches can be purchased from the cafe. Prices start from £5.50. The bursary value is approximately £750. The bursary does not cover the cost of transport to or from the conference from either inside or outside the UK. Should a successful applicant be unable to take up the offer of a bursary, there is no cash value, and no guarantee that we will be able to offer a bursary in a future year. Thank you to all previous applicants. If you have applied unsuccessfully in the past, you are welcome to apply again. In the meantime if you have any questions, please contact the Milford secretary.Our bursary scheme is intended to be an encouragement and not a quota. We have a limited number of bursaries available, however we operate an equal opportunities policy so all SF/F writers who are 'Milford qualified' are welcome to apply for the full-price Milford SF Writers' Conference places, subject to availability.If you are interested in helping to fund our bursary programnme for future years, please contact the secretary:

Our Milford anthology, Eclectic Dreams, launched at Eastercon in 2023, is to raise funds to continue the bursary into 2024, 2025 and beyond. Buy it here. It contains a previously unpublished Neil Gaiman story which he brought to Milford many years ago.

I attended the Milford Workshop in the autumn of 2023, on the generosity of a bursary. I was pretty nervous as I’d just moved to the UK a year ago and hardly knew anyone. But my fears were unfounded as what I found was a delightfully welcoming community of knowledgeable, passionate, funny and generous writers. Nestled in the silent, remote wilds of Snowdonia, I made new friends and spent a glorious week reading, writing, and having wonderful discussions about story craft and the business of writing. I brought the opening of a new novella with me and got such lovely feedback, which was instrumental when it came to reworking the piece, so for that I’m very grateful. 

Neon YangAll this would not have happened if not for the generosity of Milford’s bursary, which paid for the workshop fee and accommodation. The workshop was definitely a highlight of my year and I fully encourage anyone hesitant about it to just apply— you won’t regret it. I’m definitely going to come back as much as I can. - Mx. Neon Yang 2023 Author, editor (They/them)


Akotowaa Ofori

The Milford SF conference has given me the spur I needed to try and finish a draft of the novel-in-progress which I took to the conference. This is still my biggest and most important goal of 2023. On top of that, I feel like I’ve made some amazing new friends and acquaintances. Writers of color, if you get the opportunity to attend Milford with a bursary, I’d encourage you to seize it. As for myself, one of these years, I fully intend to return! - Akotowaa Ofori 2023


Getting into Milford was a dream. I still can’t fit my excitement into words. I remember applying after I found out Suyi Davies had attended in the past. I initially didn’t think I could get in, but seeing another Nigerian on that blog post was the push I needed. Okay, rounding it up, to everyone who wants to experience the beauty, warmth, friendship, and wealth of knowledge that Milford offers, take out your phone, or laptop, or scroll, whatever works for you, and pen down that application. Believe me, it’ll be infinitely worth it. Milford wasn’t just a place or a gathering. It was a feeling. I want to exist in that feeling forever. - Somto Ihezue, 2022



RamyaI was momentarily thrilled when I was offered a place - and then I started worrying all over again. Would I fit in? Would the other writers be nice? Was my writing speculative enough?  Was I good enough?!

But my enjoyment of the week was in direct proportion to how much I’d worried. Milford regular and Most Egregious Token Male (official committee title) offered me a ride to the conference. Everyone I met there was wonderfully nice, ridiculously interesting and genuinely a pleasure to drink copious amounts of alcohol and shoot the shit with. The other writers were knowledgeable, their feedback given with much thought and care and there was a sense of egalitarian community and mutual helping out. I think the committee members, especially Liz and Jacey, purposefully and intentionally work towards a welcoming, open atmosphere and it really pays off. By the end of the week, you couldn’t tell who were the regulars and who were Milford first-timers- Ramya Jegatheesan - 2022


Due to Covid, I hadn’t been around groups of people for many, many months, so while I was excited for Milford, I faced the idea of a big group of other writers with trepidation. But even at our first meeting, all of my worries faded away. Everyone was kind and welcoming, making sure anyone new to Milford knew what to do and where to go. The venue itself was incredible. Lovely buildings nestled between Welsh mountains and breathtaking lake scenery. The crits were very helpful. Very detailed, providing respectful and comprehensive feedback that allowed me to improve my submitted piece. Because of the format, I managed to both write in the mornings and crit with the group in the afternoons. I got so much done! To anyone considering applying for the bursary, honestly, do it!


My thanks to everyone who has contributed to the bursary, Milford is an amazing event that I hope many more people get the chance to experience. - Georgina Kamsika - - 2021


Mbozi Haimbe "Then I met everyone who’d arrived for the conference, and my nerves dissipated at their warm welcome. Lovely food, great company, and it was on to the first round of critiquing on Sunday afternoon. I will say the experience is intense but entirely worth it. Critiquing the work of other writers, and having my own work critiqued by writers working within the genre has been so beneficial for developing my writing and identifying my blind-spots." - Mbozi Haimbe - 2019


"I hope it has been abundantly clear that I personally found the experience not only highly enjoyable, but also utterly valuable when it came to going forward with the work in progress I took along. I had some exceptional encouragement and every one of the crits I got back will aid me greatly in some way with the next stage. When you have folk like that urging you along, you know you’re going to be just fine. Better than fine." - Russell Smith - 2019 Russell Smith


Suyi Davies Okungbowa “Milford is everything you want in a residential workshop. Great food, breathtaking views, super respectful crits. What’s even better is getting to attend this without paying a kobo for registration or residency. Teatimes where there’s actually tea and food? Sociable evenings with lots of drinks and chocolate? Visits to a little town in North Wales that could be navigated end-to-end in under 3 hours? Count me in anytime. And anyone who gets the opportunity to apply to be a part of this, definitely should.” - Suyi Davies Okungbowa - 2017


In 2017, our bursary recipients were Suyi Davies Okungbowa, from Lagos, Nigeria, and Dolly Garland from London, UK. In 2018 our recipients were Nisi Shawl (right) from the USA, and Rochita Loenen Ruiz, a Filipina writer, currently resident in the Netherlands. R ecipients for Milford 2019 were Russell Smith (UK), and Mbozi Haimbe (UK). There was no Milford in 2020 due to Covid. At Milford 2021 we had Charlotte Forfieh (UK) and Georgina Kamsika (UK). Bursary writers for 2022 were Ramya Jegatheesan (UK) and Somto Iheuze (Nigeria). Bursary writers for 2023 were Neon Yang (UK) and Okotowaa Ofori (Ghana.).

Nisi Shawl


Dolly Garland

I eventually found my way to writing fiction based in Indian culture, after trying my hand at what I thought was normal (fantasy with white characters). Returning to my root culture was, for me, a necessity to find my authentic voice. Milford's bursary is extremely valuable for people like me. It encourages the simple truth that we do need more diversity in our literature so that every writer doesn't pick up a pen thinking writing white characters is the normal thing to do. - Dolly Garland - 2017


On Going to Milford and the Value of a Bursary

By Rochita Loenen-Ruiz I had given up on writing. Or at least I thought I had.

I lost my husband in 2015. After that, I lost my sister. In the same year that I lost my sister, I lost my father.

Rochita Loenen Ruiz

Each of these losses came at a moment when I thought to myself, let me pick up the pen and write again. After a while, the losses overshadowed my desire to write. I looked at the words and they made no sense. Well, I said to myself. I suppose this means writing has left me. And I thought I should do my best to be happy without writing. And for a while, I really thought I was happy without the writing. Except I really wasn’t. Every once in a while, I would go back to the written work. I would write. Run out of energy. Sink into despair. ‘There’s no point in courting the muse, when she’s not ready to be courted,’ is what I told myself. So, when the email came from Jacey Bedford telling me that there had been a unanimous vote to offer me a bursary for the Milford writers workshop. I did not know how to answer. Could I go when I felt like the world’s shittiest writer? How would I manage that? How could I possibly leave my children and go away for a week? I thought of my sister and the conversation we had before we parted ways that final time.
‘You must write,’ she said. ‘If you stop writing, I’ll never talk to you again.’The funny thing is how a good friend repeated those same words to me.
‘Go,’ she said. ‘You must go or I won’t speak to you again.’The thing about receiving a bursary when you are lost in the wasteland is how it becomes a beacon in the darkness. For the first time in a long time, I began to hope. As the days passed and as Milford took on a more solid form inside my head. The urge to write and to write more and to write something that meant something to me began to grow. I then decided to let go of all my previous plans for what I should write and simply write as a way of reaching out to my sister.I wrote a lot of words that ended up getting discarded, but I was writing almost everyday. Then, on a visit to the mountains, I felt my sister’s presence. I remembered how I used to be terrified of tumbling down the side of the mountain and of how I wouldn’t go down the mountainside to school if she didn’t come back up and hold my hand. Even when she was exasperated, she would climb back up to where I was, reach out her hand and take hold of mine. The memory of that moment is distilled in the novel excerpt I submitted to Milford. Milford stays with me as a moment of brightness. I learned from the work of my fellow writers, and I learned from the way they looked at the various works offered for criticque.  More than the writing and the reading of the work and more than the getting to know other writers, I have become more convinced that there are more of us who would rather build bridges than walls. There is a grace in creating space where conversations and dialogues are possible without the harsh stridency we see in the world today.I am very thankful to everyone who made my Milford week possible. I am thankful for the generosity and kindness of those who voted for me as one of the bursary recipients for 2018 and I am thankful for the individuals who made and who continue to make the bursary possible for the coming years. On my second day in Wales, Liz Williams and Kari Sperring took me for a drive to the beach at Trefor. We walked and we talked, and on the way back we were gifted with the sight of a double rainbow stretching out over the waters. We stopped to take pictures and as we stood there, I felt very blessed. I was with beloved friends and I was writing again. I wrote more than 10,000 words while I was at Milford and came home with close to a quarter of a novel.
I am writing still.
From our 2019 bursary recipients, Mbozi (Tania) Haimbe and Russell Smith

Tania and Russell 2019

On Receiving a Milford Bursary For SFF Writers of Colour by Mbozi (Tania) Haimbe Mine was a late application for one of the two bursaries following unfortunate circumstances that lead to the previous recipient being unable to attend. After a whirlwind of events, preparing for the conference both in terms of making my submission and reading the submissions of my fellow participants, I arrived at Trigonos on Saturday evening nervous and not entirely sure what to expect. My first impression of the venue: absolutely breath-taking. Set beside a lake with Snowdon looking over the site, a peaceful walled garden with a stream running through it, extensive gardens; I felt fortunate to be here. Then I met everyone who’d arrived for the conference, and my nerves dissipated at their warm welcome. Lovely food, great company, and it was on to the first round of critiquing on Sunday afternoon. I will say the experience is intense but entirely worth it. Critiquing the work of other writers, and having my own work critiqued by writers working within the genre has been so beneficial for developing my writing and identifying my blind-spots.
I learned a lot over the week, both during the critiques and during down time. And I also had a lot of fun! Because of the way the days were configured, I had the opportunity to get some writing done, and managed to complete a short story that had been languishing half-completed on my hard drive.
I came away from the conference energized, and absolutely determined to continue writing SFF, which, although gaining traction, is still an emerging genre within the African writing community. I also gained new friends.To anyone considering applying for the bursary, I would say: please do!From Russell SmithTania and I were the recipients of the 2019 Milford Bursary for Writers of Colour. Thanks to a bunch of people strongly suggesting that I might apply for it, and the results being successful, I had my entire time at the conference covered as well as full-board accommodation for the week. This meant I could get there at all, for a start. I hope it has been abundantly clear that I personally found the experience not only highly enjoyable, but also utterly valuable when it came to going forward with the work in progress I took along. I had some exceptional encouragement and every one of the crits I got back will aid me greatly in some way with the next stage. When you have folk like that urging you along, you know you’re going to be just fine. Better than fine. I can’t speak for Tania as to her time at the retreat, but I can certainly tell you her work in progress is going to be quite something when it’s finished. If you are eligible and thinking about applying, honestly, do it.

I’m missing the place greatly already, that peaceful clanking of writer’s bottles and speak of adventures too numerous to mention in here, but I can tell you now the June writing retreat back to Trigonos can’t come around too soon in many ways. I am delighted to have had the opportunity to visit such a wonderful place and can’t recommend my time there enough. I certainly intend to be back.

OUR BURSARY SPONSORSThanks to all our sponsors who have enabled us to provide funding to writers who would otherwise not have been able to attend Milford. We believe it's vitally important to encourage writers from diverse backgrounds.

  • Several writer donors who wish to remain anonymous.
    Eight Squared Eastercon
    Dr Anthony Francis
    Eastercon 2018 (Harrogate)
  • Terie Garrison Bequest

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